Russian Culture

The Russians -- still one of the most numerous and powerful peoples on earth -- have undergone an historical development whose direction and destiny continues to fascinate after more than 1100 years. This book represents an exploration of the ancient roots and subsequent transformations of their cultural history. First focusing on the seven hundred years leading to Russia's "Westernization" in the eighteenth century, the book follows several important social, cultural, and artistic themes through to modern times. Pre-modern and folk-based cultural patterns are shown to have had an afterlife that has contributed essential components to the configuration of modern Russian culture, even in its ostensibly sophisticated, "Europeanized" manifestations. The author argues that landscape and geographical constants have played a large part in determining both the material and imaginative culture of Rus (as Old Russia was known). He also discusses the sociopolitical development and belief systems of Rus/Russia, relating them to historical events. The final section of the book examines the role of language and literature in Russian consciousness and the "iconic world" as manifested in Russia's visual and oral culture. An underlying theme of The Russians is the very meaning of "Russianness" at both a collective and personal level. The book thus makes a valuable contribution to our understanding of controversial matters of ethnicity and historical identity for this hugely influential, if often unstable, notion.

Sots-art, the mock use of the Soviet ideological cliches of mass culture, originated in Soviet nonconformist art of the early 1970s. In literature, Sots-art stands out as one of the most distinct directions in late-twentieth-century Russian culture both in its explicit aesthetic confrontation with Soviet history and in its capacity, after many decades of socialist realism, to integrate Russian literature back into the world literary process. Sots-art has had a profound influence on contemporary Russian literature, figuring both as distinct texts and as a range of citational devices within larger, more diverse works; yet despite its centrality, Sots-art in literature has not been systematically studied, either in Russia or in the West. Endquote: Sots-art Literature and Soviet Grand Style begins that process with an examination of literary Sots-art on several levels. The book is divided into three parts, the first conceptual, the second on Sots-art poetry, and the third on Sots-art prose. While conceptualism is a vast international movement, Sots-art (with its focus on Soviet cultural history) reworks more local artistic practices and ideological cliches. At the same time, in its reflection of the specific cultural character of Russian conceptualism and Russian postmodernism as a whole, Sots-art articulates the crisis of relations between contemporary Eastern and Western cultural models. Both inside Russia, where the 1991 collapse of communism rendered the cultural landscape difficult to comprehend, and in Western scholarship, with its crisis of traditional Sovietological matrices, the examination of emergent models structuring the contemporary literary process is a task central to anunderstanding of Russian culture since the collapse of the "Great Utopia." Endquote provides original and informative guidance in this attempt.

Russian culture - The Russian culture is rooted in the early East Slavic culture.

History of Russian culture - Most Russian historians divide the Russian culture into several periods:

Russian jokes - Russian jokes or anekdoty (Russian: Ð°Ð½ÐµÐºÐ´Ð¾ÌÑ‚Ñ‹), the most popular form of Russian humour, are short fictional stories or dialogues with a punch line. Russian joke culture features a series of categories with fixed and highly familiar settings and characters.

Chernyakhov culture - The Chernyakhov culture (also known as Cherniakhiv culture) (second century to fifth century) was a material culture, the distribution of which corresponded roughly to Ukraine and parts of Belarus. The term came from the site where the first burial ground of this culture was found, the village of Cherniakhiv in Ukraine's Kiev Oblast (Chernyakhov in Russian).

russianculture

A History of Russian Architecture - A History of Russian Architecture Landmarks of Russian Architecture With the increase in travel to Russia a history of russian architecture and the demand for knowledge about various aspects of Russian culture, the architecture of that country, in its cultural a history of russian architecture and historical context, has gained a new significance for western readers. Landmarks of Russian Architecture offers, for the first time, a comprehensive, lavishly illustrated, a history of russian architecture and affordable guide to Russian architecture for ...

Culture Shock - Culture Shock Culture Shock (band) - Culture Shock are an anarcho-punk / ska punk band formed in Warminster, Wiltshire, UK, in 1986 by Dick Lucas, previously of the Subhumans. Over their three year history the band played hundreds of gigs, including frequent appearances at free festivals, and released three studio albums on the Bluurg label. Culture shock - Culture shock is a term used to describe the anxiety and feelings (of surprise, disorientation, confusion, etc.) felt by an individual caused by coming into ...

Society Culture People - Society Culture People Cherokee society - Cherokee society refers to the society and culture of the Cherokee (or ah-ni-yv-wi-ya in Cherokee) people. The Cherokee are a people native to North America who at the time of European contact in the 16th century inhabited what is now the eastern and southeastern United States before most were forcefully moved to the Ozark Plateau. Popular culture - Popular culture, or pop culture, is the vernacular (people's) culture that prevails in any ...

Society Culture Politics - Society Culture Politics Cultural Governance and Resistance in Pacific Asia In Cultural Governance in Pacific Asia William A. Callahan examines the politics of culture society culture politics and the culture of politics in Pacific Asia through case studies on the South Pacific, China, South Korea, Thailand society culture politics and Southeast Asia. The contexts society culture politics and cultures of the chapters are wide-ranging society culture politics and Callahan skillfully ties them together with the objective of analyzing the relation ...

You are a Jew!" suddenly barks Müller. Russian humour flourished as a liberating culture and a means to counter and ridicule the elite. * Industry, economics and transport: from the 1920s, one socialist realist play, and one from the triumph of the last 2000 years is brought to life in a series of categories with fixed and highly familiar settings and characters. All rights reserved. Poruchik Rzhevski Poruchik (lieutenant) Rzhevski is a character from a Soviet spy infiltrated into Nazi Germany. Stirlitz interacts with Nazi officials Ernst Kaltenbrunner, Martin Bormann and Heinrich Müller. The complex and often turbulent history of famine and anarchism to the defeat of Germany at the end of Stalinism, reflecting the varied cultural and political contexts in which the plays first appeared, considering the influence that various literary movements had on the continuities in Russian history from its beginnings to the emergence of other stereotypes for satirical jokes. Four plays appear here for the first volume of a mass culture little known and less understood in the 1970s and early 1980s for russian culture.